Tag Archives: Camille Gardette
Summer at Saint-Antoine 2016, Part II–Trois Gothiques/Three Gothic Scripts
The Abbatiale–the Abbey church. Views that never become boring. Nor does the contrast of red geraniums with the verdant pre-alpine summer. Three Gothics? Why not! Textura, Flemish Bâtarde, & Fraktur. Adjacent scripts with their associated flourishes and decoration styles, and modern … Continue reading
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Tagged Amanda Adams, Bâtarde Flamande, Cal·ligrafia, Caligrafía, Calligraphie, Calligraphy, Camille Gardette, Christiane Soufflet, Christine Nodet, Daniel Esteve Carbonell, Eduardo Teruel, Flemish Bâtarde, Fraktur, Gótica, Gothic Script, Gothique, Jacinthe Tros, Joaquím Gracia, Joseph Montalbano, Keith Adams, keith7amanda, Marie Posner, Máire Mayne, plomas de caña, plomes de canya, reed pens, Saint-Antoine l'Abbaye, Sonia Beroiz, summer calligraphy course, Textura, Victoria Gerchinhoren
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Summer at Saint-Antoine 2015, Part I — Italique
As an introduction to calligraphy, we believe that Italic and Carolingian are the best (but not necessarily the easiest) scripts to begin with. In the days when there were still stages called “Deuxième Niveau“, having attended one session each of Italic … Continue reading
Posted in letterish
Tagged Albert-Jan Pool, Almila Yildirim, Amanda Adams, Anne-Marie Biard, Arrighi, Beatriz Ballester, Blandine Arnaud, Cal·ligrafia, Caligrafía, Calligraphie, Calligraphy, Camille Gardette, Catherine Audiat, Christiane Richard, Christine Nodet, Christophe Audiat, Communauté de l'Arche de Saint-Antoine, David Quay, Eduardo Teruel, Ingrid Marquès, Italic, Italique, Jacinthe Tros, Keith Adams, Laia Soler, letterish, Maria Montes, Martí Turró Ortega, Petra Rüth, Saint-Antoine l'Abbaye, Sonia Beroiz, Stage d'Italique
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Ante-Bath Notes 